Archived posting to the Leica Users Group, 1997/12/17
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Recent discussion about the use of high-speed wide-angle lenses brings
to mind something I've wondered about for years. The designs of large
aperture lenses generally seem to involve large expanses of glass, all
other things being equal (e.g., the Noctilux), which stands to reason,
at least from my layman's viewpoint. Conversely, in each photographic
format, the designs of moderate wide-angle lenses generally would seem
to permit the minimization of lens size (e.g., for 35mm Leica M series
cameras, the extremely small size of the pre-aspherical 35mm Summicron
and Summilux lenses and the 40mm Summicron-C). Therefore, based on an
assumption that no one would want to tote around a huge chunk of glass
and metal (e.g., the Noctilux) if it weren't necessary, then why is it
that when lens makers design higher speed lenses (going from f/1.4, to
f/1.2, and ultimately to f/1), all of them (e.g., Leica, Nikon, Canon,
Minolta, Olympus, and the rest) do it in the 50mm-to-58mm focal length
range rather than, say, the 35mm-to-40mm focal length range? With any
given maximum aperture, is not a 35mm lens smaller and more convenient
that a 50mm or 58mm lens for the same camera, and so would not a small
(relatively) and convenient 35mm f/1 Noctilux M lens be far preferable
to a larger, heavier, and more conspicuous 50mm f/1 Noctilux? And yet
none exists (or as far as I have ascertained, has ever existed)---why?