Archived posting to the Leica Users Group, 2006/02/05
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]There are two types of photographers: one recommends finding the film's
true speed, only shoot low speed ("NEVER shoot Tri X TX400 at higher than
ASA320," they cry) to get the full tonal range and minimize grains, blah
blah blah.
There are the other type who shoots at whatever speed they need to, to get
the images. Grain, bokeh, tonal range be damned. OK, not quite right, they
shoot the fastest, cleanest, nicest looking images, for whatever lighting
situation is given to them. Light, Eyes, Action.
It's the former camp that says, ASA3200 film is more like 1000-1200 film
and you are pushing when you develop which exaggerates grains and lose
tonal range etc. The latter camp says screws that, I need ASA3200 for the
scenes and that be the end of it. Of course you will still need to develop
to get whatever tones you most interested in.
I just shot 6 rolls in the last couple days in kids play rehearsals. I shot
Tri X at 400 and 800. Both souped in XTOL at either 1+2, or 1+3, depending
on whether I can get the minimum 80-100ml of Xtol per roll. Certainly the
400 shots have better tonal ranges, but the 800 shots are not bad at all. I
can use higher aperture to get more characters in focus, which is a good
thing. They hold up quite nicely. I will make some enlargements soon to see
how they hold up on wet prints.
At 12:27 PM 2/5/2006, Didier Ludwig wrote:
>What do you ecaxtly mean with "not a true 3200-speed film"? Just curious.
>Didier
// richard (This email is for mailing lists. To reach me directly, please
use richard at imagecraft.com)